Percolation by Ernesto Rodrigues, Y. Lin Humm, P. Trovão, P. Frazão, A. Hencleeday, R. Imai & C. Santos

Live recording by Miguel Azguime on December 15th 2018 at O'Culto da Ajuda, Lisbon.
Mixed and mastered by Ernesto Rodrigues.
Graphic design by Carlos Santos. 
Production by Ernesto Rodrigues.

REVIEWS

Continuing, not yet released on CD (but already on Bandcamp) is Percolation by a new mixed sextet of Ernesto Rodrigues (viola), Yu Lin Humm (cello), Philippe Trovão (tenor saxophone), Pedro Frazão (euphonium), Andre Hencleeday (piano) & Ryoko Imai (bass marimba, percussion): The sort of quietly layered articulation of the single movement recalls Stratus in some ways, but also involves new participation & a generally acoustic setting. (I say "generally," because I do believe that some lowercase mic'ing is at work.) Also, as with e.g. Suspensão, there's a focus on dynamic balance, here with various reduced forces active much of the time — until a full-bore ending that seems almost out of place. Among the other musicians, Hencleeday is the only one I've mentioned here, and he's appeared in several contexts with Rodrigues, but Humm & Imai have also appeared in some larger ensembles (& have fine moments here, e.g. the marimba producing a hum that sounds almost electronic). Of the previously unknown performers, Trovão mostly plays a textural role on tenor, but apropos the previous paragraph, Frazão is quite prominent at times on euphonium: After some initially quiet scuffling & tinkling, he calls out strikingly against the texture, seeming to set the mood.... The ensemble tends to be careful & precise in its interactions in general, injecting a renewed tautness into the style, but I'm also not sure about the balance of the overall sextet, e.g. pairing piano with marimba.... Still, Percolation seems to point to some new ensemble ideas & articulations. Finally then, let me also note the upcoming new Isotope Ensemble (now with 21 members) album ("only" their fourth), Radium, also from CreativeFest#12 last November: It's a rather ominous, shearing production, slowly building over a single track (as on the two albums featured in this entry) to a raucous end.... Todd McComb, Jazz Thoughts

Subtle acoustic improvisation from a global set of improvisors--Yu Lin Humm on cello, Pedro Frazao on euphonium, Ryoko Imai on marimba, percussion, Andre Hencleeday on piano, Philippe Trovao on tenor saxophone, and Ernesto Rodrigues on viola--in an attentive and tension-filled single movement, each player adding and reacting as ideas percolate and subsume. Squidco

"Percolation", recorded in the same place in December 2018, can be considered as continuation/expansion of the Octopus Ensemble to include more brass and reeds. Percolation is a septet, with four members of Octopus Ensemble and three new ones, playing tenor saxophone, euphonium and vibes/percussion. The free minimal music is still there, but there are significant excursions toward contemporary chamber music, and free improvisation. The sound of different instruments are separated more clearly that usual, so one can identify better solo, duo and collective improvisations of tenor or euphonium. For me this is another masterpiece of the Rodrigues family. Maciej Lewenstein

Ernesto Rodrigues (Lisbon, August 29th 1959) has been playing the violin / viola for 50 years and in that time has played all genres of music ranging from contemporary music to free jazz and free improvisation, live and in the studio.
The relationship with his instruments is focused in sonic and
textural elements as well as the use of extended techniques.

creativesourcesrec.com
ernesto-rodrigues.blogspot.pt
erdiscography.blogspot.pt